Gardner's Gettysburg - "Harvest of Death" Doctored?

     I've been taking a closer look at "A Harvest of Death". In a previous post I have indicated there are visual clues that lead me to believe the distant tree line in this image has been created in an effort to salvage an otherwise poor photograph. This suggestion has caused a stir amongst those who are looking to solve and/or disprove multiple theories as to its actual location on the battlefield.

Here is the image from Gardner's Sketchbook.

Let's look below at another copy, this time from the

collection of the Johnson Museum of Art at Cornell University.

What do we see, and what do we not see?

The entire upper third of this most famous of Gettysburg images looks to be 

a contrivance by Gardner to create an artistic and poignant print to sell.

No tree line, and no shadowy figures in the distance. Gardner has begun

to create the illusion in the print we have long accepted as fact. Note the

pencil shading within the left and right horizon line. This pencil shading smooths

 out in the final published prints of this image. Click on it for larger viewing.

(Gift of Arthur, Class of 1956, and Marilyn Penn, Class of 1956, Christopher Elliman, David Elliman, and Andrea Branch, by exchange, and through the Overton Endowment Fund. Photography courtesy of the Herbert F. Johnson Museum of Art, Cornell University.) Link here for collection.

This enlargement shows the beginnings of the smears that would become the "standing"

 figures on the right. Note also the darkening of features on the scattered bodies for contrast.

See below for the end result from the Gardner's Sketchbook Plate # 36.

Notice how in the finished product these silhouettes don't match the luminescence of

 the surrounding figures. They have no three-dimensional qualities when compared to the

 bodies on the ground. They are created from pencil, and India Ink wash. They are a work of art.

Here is another "working copy" so to speak from the Library of Congress.

Note the exact same pencil shading on the ground at left and right, and

a very crudely drawn "rider on a horse". The false tree line is beginning

to take shape as well. I have located what Gardner may have likely referenced

  to create the man on the horse, in an earlier photograph of his own, as seen below.

 A strong resemblance when compared to the finished product.

The probable "model", from an 1862 image by Gardner.

From the Library of Congress, the initial rough sketching that would lead to the finished product below. Retouching and rephotographing would produce the famous photograph we have known.

In this detailed enlargement from another copy of the Sketchbook print, it is easy to see the contrast

 difference, and how the figures are actually out of scale to the "real" bodies. The inking of the shadows is quite apparent here also. For nearly 150 years we have taken this photograph as real in all regards. Now it can be seen to be as fake as the moved body in the "sharpshooter's lair" in Devil's Den. A manipulation of a bad negative to yield a marketable work of art to tug the heart strings.

Click on the picture above and get a better view of the brush strokes that make up the riding figure.